In prehistoric times, what is now St. Louis was covered by seas; over the millennia, thick layers of limestone formed where there had been sea beds. The slow steady action of water and time honeycombed the limestone and left it full of unexpected caverns and passages. What appears-on the surface-to be completely solid and reliable, turns out to be merely a deceptive façade.
Subterranean twin cities
Greg Brick.
Minneapolis : University of Minnesota Press, c2009.
A professional geologist and author, Brick has written numerous scholarly and general-interest articles about caves and underground spaces; his work has been featured in National Geographic Adventure Magazine and on the History Channel. Based on extensive professional study of the area, his book provides general readers with an armchair tour of the sometimes dangerous but fascinating collection of tunnels, caves, and industrial spaces that make up the subterranean landscape of Minnesota's Twin Cities. These include tube-like natural caves, underground streams, and below-ground spaces used by brewing, mushroom farming, cheese ripening, silica mining, and flour-milling businesses, as well as utility industries. Illustrated with b&w photos. Annotation ©2009 Book News, Inc., Portland, OR (booknews.com)
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St. Louis' underground fascinates local writers
Michael Kahn used the Cherokee Cave, a few miles south of the Arch, as part of the Rachel Gold mystery novel, 'Due diligence'.
Underground St. Louis also intrigued Eileen Dryer in 'Bad medicine' and Laurell K. Hamilton in 'The lunatic cafe'. |
This liability was turned into an asset. St. Louis' hidden caves provided acres of inexpensive cool storage.
It was a setting made to order for breweries, who used the natural caves for lagering rooms and storage. In the 19th Century, the number of St. Louis breweries approached 50, and most of them were built to take advantage of attached cave systems. St. Louis became the brewery capital of the United States; the Anheuser-Busch corporation on Pestalozzi was built on caves.
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Uhrig's Cave, opening beneath Jefferson and Washington Streets, was the most elaborate of the St. Louis commercial caves. Associated with a brewery, it contained a beer garden and 300-seat theater. Performances of Gilbert and Sullivan's 'H.M.S. Pinafore' played here for months to the delight of audiences.
The site retained its civic importance (although ABOVE ground) when the St. Louis Coliseum was built over Uhrig's Cave in 1908. |
Other commercial uses were found for the underground space. Brick vaults and flo oring made the passages more reliably useful; fairly simple adaptations allowed the caves to be used as warehouses, night clubs, roller rinks, mushroom farms. When Prohibition took effect, the hidden galleries took on a new life as speakeasies along the western edge of downtown.
Today the caves are sealed and almost forgotten. They are choked with rubble and mainly impassable. Access is forbidden, and about the only use they've gotten in recent decades has been as an occasional Halloween season haunted house. Most St. Louisans have no idea that their down-to-earth city has always been balanced on the edge of the abyss.
Stepping-stones : a journey through the Ice Age caves of the Dordogne
Christine Desdemaines-Hugon ; foreword by Ian Tattersall.
New Haven [Conn.] : Yale University Press, c2010.
The cave art of France's Dordogne region is world-famous for the mythology and beauty of its remarkable drawings and paintings. These ancient images of lively bison, horses, and mammoths, as well as symbols of all kinds, are fascinating touchstones in the development of human culture, demonstrating how far humankind has come and reminding us of the ties that bind us across the ages. Over more than twenty-five years of teaching and research, Christine Desdemaines-Hugon has become an unrivaled expert in the cave art and artists of the Dordogne region. In her new book she combines her expertise in both art and archaeology to convey an intimate understanding of the "cave experience." Her keen insights communicate not only the incomparable artistic value of these works but also the near-spiritual impact of viewing them for oneself. Focusing on five fascinating sites, including the famed Font de Gaume and others that still remain open to the public,Stepping-Stonesreveals striking similarities between art forms of the Paleolithic and works of modern artists and gives us a unique pathway toward understanding the culture of the Dordogne Paleolithic peoples and how it still touches our lives today.
Great caves of the world
Tony Waltham.
Richmond Hill, Ont. ; Buffalo, N.Y. : Firefly Books, 2008.
Includes bibliographical references (p. 112).
Missouri caves in history and legend
H. Dwight Weaver.
Columbia : University of Missouri Press, c2008.
Missouri has been likened to a "cave factory" because its limestone bedrock can be slowly dissolved by groundwater to form caverns, and the state boasts more than six thousand caves in an unbelievable variety of sizes, lengths, and shapes. Dwight Weaver has been fascinated by Missouri's caves since boyhood and now distills a lifetime of exploration and research in a book that will equally fascinate readers of all ages.
Encyclopedia of caves and karst science
John Gunn, editor.
New York : Fitzroy Dearborn, 2004.
This encyclopedia contains 351 entries exploring a multidisciplinary range of topics dealing with natural caves and karst landscapes, defined within as "terrain with distinctive hydrology and landforms arising from the combination of high rock solubility and well- developed solution channel (secondary) porosity underground." The encyclopedia strives to fairly represent all the regions of cave and karst locations. The entries are presented alphabetically and also listed under the following themes: archaeology, art in caves, and paleontology; biospeleology (including ecology, fauna, and other biological topics); caves and caving; cave and karst regions; conservation and management; geoscience; history; and resources and development. Fitzroy Dearborn is an imprint of Taylor & Francis. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com)
Article by: St. Louis Public Library staff