Katherine Dunham circa 1946

While studying anthropology at the University of Chicago in the 1930s, Katherine Dunham still found time to continue her studies in modern dance and to open her first dance school.

Not quite what it seems

Goodness and mercy

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Not quite what it seems

Mari Walker.

New York : St. Martin's Griffin, 2010.

Jadyn has made a life for herself with her boyfriend, Taji, and has a promising career as a dancer...just as soon as she nails her next audition. However, she has never fully recovered from the emotional and physical pain she suffered at the hands of her mother and stepfather as a young girl. After finding out that Taji, the supposed love of her life, has been lying to his family about her, and may have even ruined her chances at getting a lead role in STOMP, Jadyn decides to make a drastic change in her life. She attempts to locate her biological father, whom she has never had a real relationship with. Her search takes her to Florida where she stays with her great-uncle and cousin. While following up on seemingly dead ends in her search for her father, Jadyn discovers that sometimes things are not quite what they seem when she becomes involved in a heated love affair with a man named Julian,nbsp;who may just be the death of her.

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Goodness and mercy

Vanessa Davis Griggs.

New York : Dafina Books, c2009.

From the award-winning author of the Blessed Trinity trilogy comes the second book in a powerful series dealing with contemporary themes in a Christian setting.

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Buffie Carruth.

Columbus, Ohio : Vickie Stringer Pub., 2009.

Finally, the bar will be set and the truth will be told. Buffie Carruth, known as the legendary Buffie the Body, takes readers from ATL'S most wanted dancer, most sought-after YouTube actress, leading lady in G-Unit and other music videos, an in-demand ringtone wallpaper model, the most sought-after prison wall pinup girl in America and most curvaceous woman in the world, to book author with her highly anticipated expose of the industry, Vixen Icon. Buffie gives readers a Making-of-the-Body look behind the videos and cover shots and reveals the Who, the What, and the Why of the industry and leaves no opinion unwritten. The very assets that have made her the most downloaded Web girl have set the stage for ladies everywhere to swing their hips proudly. Often compared to other vixens, Buffie the Body is a far cry from the Superheads of the industry; Vixen Icon proves the Body is the most prominent and illustrious Icon the world has seen for years to come.

In 1936 Ms. Dunham was able to combine her training as an anthropologist with her belief that dance was an integral part of a people's social structure. That year Ms. Dunham traveled to the Caribbean to study African rituals and native dance forms. These field trips allowed her to investigate and incorporate indigenous dances and body movements into her work.

Upon returning to the United States, Katherine Dunham introduced African and Caribbean rhythms to modern dance and ballet. This became known as the Dunham Technique. As she taught, Ms. Dunham conveyed detailed information about the dance movements, how they were developed, as well as the philosophy behind her technique.

Katherine Dunham opened the Dunham School of Dance in New York to "train dancers in the knowledge and use of primitive rhythms." All the while she appeared in many films, performed, choreographed, and directed theater dance shows that toured all around the world.

Following an acclaimed dance career, Ms. Dunham moved to East St. Louis, Illinois. Struck by the obvious signs of anger and hostility among the city's youth and believing dance to be "concerned with the fundamentals of society," she established the Performing Arts Training Center. Designed to offer city youth constructive alternatives to violence the Center included three active programs: the dance company, the children's auxiliary company and the educational center. Besides dance, other offerings included photography, theater and martial arts programs.

The Katherine Dunham Museum consists of a collection of furniture, paintings, musical instruments, costumes, decorations, photographs, sketches, a broad range of ethnic art objects, and a cross-section of personal belongings documenting the life of this extraordinary woman.

Both the museum and the Katherine Dunham Children's Workshop continue to expose new generations to the work of this anthropologist, dancer, choreographer and humanitarian, the Matriarch of Black Dance.

Article by: St. Louis Public Library staff